Tuesday, 22 July 2008

NEWS: Lydon Brands Okereke A 'Liar'

After this morning’s revelations about an alleged scuffle between Kele Okereke and John Lydon at a Spanish festival, the crazy eyed punk vet has finally provided a statement to the press.

In the short, sensitively constructed mail out Lydon denies his involvement in the racist assault by labelling Okereke a liar and someone in need of publicity.

“I feel very sorry for a man that needs to lie about what was a perfect evening.”

In the first public statement from Lydon’s camp about events on Saturday evening, the sex Pistols claims, “trouble was brought us, resulting in those causing the trouble being physically removed by festival security. If they need publicity so badly this is the allegation universe they run into.”

Using the punk-rock royal we he added, “After the show John Rotten and management remained behind to sign autographs, which we did for four solid hours without incident and had a great time talking to other Spanish bands, this seems to have sparked jealousy in certain bands.”

Lydon did however make one sole reference to the supposed racial accusations behind the incident, “We are in the middle of a wonderful tour, after 30 years we are achieving a true unity in our audience. They are multi-varied, all ages, all races, creeds and colours. When you are at a festival with bands who are jealous fools, lies and confusion usually follow.”

He then directs a comment directly at Okereke: “Grow up and learn to be a true man. It's a shame that the wonderful world of the media is riddled with nonsense like this.”

Bloc Party’s Kele Okereke is yet to release a media retort.

To have a look at last year’s Love Music Hate Racism roundtable debate featuring Kele Okereke click below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

NEWS: Ben Folds Announces New Album

Ben Folds is going to unleash his rock side with his new long-awaited album.

Out on September 30, Way To Normal is Fold’s third solo long-player as a solo artist and comes as the follow-up to Songs For Silverman.

Folds takes up vocal, piano and, of course, song-writing duties on the Dennis Herring (Elvis Costello, Modest Mouse, The Hives) produced album.

Indie pop starlet Regina Spektor features as a guest vocalist on the album’s first single, ‘You Don't Know Me’.

The new raucous album shouldn’t be assumed to be an ode to divorce following Folds’ own two-year legal proceedings with his ex-wife, as the musician explains.

“The songs are not topical. I was not interested in making a record about the D-word. I got all that stuff out of my system on the last record, which was deliberately stoic. This new album is really about me being free, which is why it feels cathartic and expressive. It's about me coming back to being myself.

"I came out of the courthouse, kissed the ground, and walked straight into the studio. I felt like a bottle of champagne that had been shaken for 18 months and popped open in the studio. That's why this record has so much energy."

Ben Folds has been performing at many summer festivals this year, and will continue to tour Way To Normal worldwide into 2009.

This news story can be found on Drowned in Sound with other pieces by Dean Samways.

Words: Dean Samways

Image: flickr

NEWS: Everything Must Go!

The Go! Team are having a clearout.

The retro pop-rockers today launch a revolutionary brand new website that is dedicated to dishing out free digital content from their back catalogue.

Located on their website, fans will find a new recording of ’Milk Crisis’, the four track EP of Get It Together, their first release and some remixes they've done of other artists and other artists have done of them.

The cream of the crop is a collection of song parts from ‘Ladyflash’ and ‘Flashlight Fight’ featuring Chuck D which have been made available for superstar DJs out there to fiddle with.

Projects achieving a decent level of audio-aesthetics are invited to send their remixes to remix@thegoteam.co.uk

The Quietus has been reliably informed that the band will be adding more downloads to the site in the near future. Keep checking back for old demos, live versions and other stuff.

Meanwhile the band’s somewhat unbelievably busy world tour, with and without CSS continues:

  • 25th July - Pentaport Festival, South Korea
  • 27th July - Fuji Rock Festival (Red Marquee Stage), Japan
  • 30th July - First Avenue (w/ CSS) Minneapolis, Minnesota
  • 31st July - Turner Hall (w/ CSS) Milwaukee, Wisconsin
  • 1st August - Lollapalooza Festival Chicago, Illinois
  • 2nd August - Magic Stick, Detroit, Michigan
  • 4th August - MEG stage / Osheaga Festival, Montreal, Canada
  • 5th August - Phoenix (w/ CSS) Toronto, Ontario
  • 7th August - Trocadero (w/ CSS) Philadelphia, Pennsylvania
  • 8th August - All Points West Festival, Liberty Island, New York
  • 9th August - The Roxy (w/ CSS) Boston, Massachusetts
  • 10th August - Virgin Mobile Festival, Baltimore, Maryland
  • 15th August - Belsonic Festival, Belfast, Northern Ireland
  • 22nd August - MTV Weekend Day, Gijon, Spain
  • 23rd August - A Coruna Beach Party, A Coruna, Spain
  • 30th August - Surfstock Festival, Newquay, Cornwall
  • 31st August - Jersey Live Festival, Trinity, Jersey, Channel Islands

For the classic ‘Ladyflash’ have a look below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

NEWS: DFA Dish Out Some Krautrock

DFA Records are releasing a LP of material from Berlin based Supersoul Recordings to celebrate the German label’s second birthday.

Nobody Knows Anything has been compiled by DFA’s sublabel Death From Abroad for a US only release, and via Supersoul/Kompakt for the rest of the world.

Heavily rooted in stylish electronic dance music, Supersoul was founded by Xaver Naudascher in 2006. All the label’s featured artists have taken inspiration from Krautrock, Italo Disco, Electro, Chicago House and Detroit Techno.

DFA are giving readers the opportunity to listen to the entire collection. Simple visit this bit of the DFA site and enjoy.

The tracklisting for Nobody Knows Anything is as follows:

CD 1:

  1. Xaver Naudascher - 'Lost'
  2. Mogg & Naudascher - 'Moon Unit Pt. 2'
  3. Mogg & Naudascher - 'Moon Unit Pt. 1'
  4. Walter Jones - 'Deuteronomy Brown' (I-f edit)
  5. Plastique de Reve - 'Resist' feat. Radical Cheerleaders
  6. Strangelets - 'Riot On Planet 10'
  7. Xaver Naudascher - 'Afterlife'
  8. Max Brannslokker - 'Stropharia'
  9. Walter Jones - 'The Odyssey Sound' (Mogg & Naudascher edit)

CD 2:

  1. Skatebård - 'Marimba'
  2. Plastique De Reve - 'Lost In The City' feat. Ghostape
  3. Xaver Naudascher - 'Motor City'
  4. Strangelets - 'Riot On Planet 10' (Blitz Gramsci rmx)
  5. Mogg & Naudascher - 'Moon Unit Pt. 4' feat. Rosalind
  6. Skatebård - 'Pagans'
  7. Mogg & Naudascher - 'Moon Unit Pt. 3' feat. Arthur Hornig
  8. Maxx Brannslokker - 'Solar Trip' feat. Katya Tyukova
  9. Skatebård - 'Flexy'
  10. Walter Jones - 'A.I.P.' (X.L.N.'s Maison Vumbi edit)
This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

Monday, 21 July 2008

NEWS: Bloc Party And Sex Pistols In 'Racial Attack'

Reports are emerging today of an incident involving Bloc Party's Kele Okereke and Sex Pistols' frontman John Lydon at a Spanish festival over the weekend.

A fight erupted at the Summercase festival in Barcelona on Saturday July 19th which has now been called an 'unprovoked racist attack' by Okereke.

According to the Bloc Party camp the singer approached Lydon to ask if he would consider reforming one of the his bands, Public Image Ltd.

In a statement Bloc Party claim the punk veteran "became intimidating and aggressive while his entourage responded with a racist tirade including the statement, 'Your problem is your black attitude'."

A fight occurred soon after in which Lydon's entourage were seen by some 50 people to attack Okereke at which point Ricky Wilson of the Kaiser Chiefs and Foals' Yannis Philippakis stepped in to help the singer.

Other bands who witnessed the ruckus include Mystery Jets, Neon Neon and Har Mar Superstar.

The violence left Kele with severe bruising and cuts to his face and body and a split lip.

Festival security stepped in to neutralise the situation which was later reported to Spanish police. Okereke gave a statement to British police upon returning to the UK.

Speaking to NME.com the Bloc Party frontman said: "It's not an issue of the physical assault, even though it was an unprovoked attack, it is the fact that race was brought into the matter so readily.

"Someone as respected and as intelligent as Lydon should know better than to bring race into the equation, or socialise with and encourage those who hold such narrow-minded attitudes.

"I am disappointed that someone I held with such high regard turns out to be such a bigot."

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

Saturday, 19 July 2008

NEWS: U2 Producer Remembers The Early Days

Original U2 producer Steve Lillywhite has spoken of the time he spent with the band recording their monumental first three albums.

In an interview posted on the BBC News website Lillywhite records his experiences mixing the records, socialising with the band and generally witnessing the good musical juices issue forth from Bono & co.

As time went on, and one album followed the last, the Grammy award winner saw the band morph from cocky Irish wannabies to even cockier politically-driven rock stars and creative accountants.

He was also on board for the band’s first number one album War, released in 1983.

Lillywhite’s comments come as U2 release re-mastered special edition issues of those first LPs, as dissected on the Quietus by our very own Andrew Mueller here.

Below are the best bits of what he had to say to the Beeb. For the full story on the BBC website.

Boy
(1980)

Recorded when the band were all still under the age of 21 the title reflected their still innocent nature. Despite this the album was originally going to be mastered by Martin Hannett who is famous for helping develop Joy Division’s sound, a flattering proposition for such a new band.

“I always remember on that first album, I was sitting at the mixing desk with the band behind me and suddenly I heard all this giggling. I turned around and suddenly they all went sheepish, shushing each other like teacher was looking at them.

“I think they would admit that, like all teenage boys, they hadn't lived long enough to acquire a personality… There wasn't much talking in the studio. It was quite serious.”

October
(1981)

A brooding Bono didn’t go down well with the critics as U2’s second offering received mixed reviews. Fears of the music industry being against the band’s religious beliefs and the lose briefcase full of lyrics nearly stopped the band’s progression in its track. Thank God it didn’t.

“U2 could have gone two ways after Boy. They could have broken out and gone bigger - but in fact what they did was they shrunk a little bit. They were a little bit scared of the world, I think.

“Yes, there were Bibles dotted around the room during the recording. There was a fair amount of that. But I was so busy trying to pull teeth - trying to make an album - that it sort of washed over me.

“It was completely chaotic and mad in the studio and, obviously, Bono's lyrics being lost contributed to the atmosphere. I'm not sure whether any of those words would have been used on the album - only he knows that - but certainly it would have been a starting point.”

War
(1983)

The breakthrough album. Knocked Thriller off the top of the charts. ‘Nuf said.

“The band had been questioning whether their beliefs could coincide with their new experiences. And in the end it was their manager Paul McGuinness who sat down and said, ‘don't be so silly, you can have them both’.

“In his sort of matter-of-fact way, he convinced them that the world would be better if they carried on making music.

“But I think we all realised that there'd been a step back with October and that, if we were going to go for it, we had to have the urgency of the first album.

“I remember Bono saying to The Edge, ‘don't be like The Edge. Be like Mick Jones from the Clash’.

“Because Edge is like a scientist. He has the white coat on and pencils in his pocket. And I think what Bono wanted him to do was take off the white coat and put on the star-studded leather jacket.”

And for some classic 1983 U2 click below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

NEWS: Metallica Artwork Revealed

Metallica have released some of the artwork (pictured above) that is to feature on their forthcoming album Death Magnetic.

The images put up on the Metallica website yesterday depict a coffin etched out of iron filings that have been treated by some magnetic fields from top to bottom, just like those prepubescent primary school science experiments.

The impressive, pristine looking images are a further teaser from the metal behemoths, who earlier this month told fans of an extremely limited and already sought after collectors edition of the new album.

In a spectacularly melancholy move to win over the new-age digital loving music fans Metallica announced they are going to release Death Magnetic in a special coffin boxset when the album hits the shelves later this year.

The coffin release will include the full album, a CD of demos, a DVD 'making of' documentary with never before seen footage, an exclusive t-shirt, a flag (randomly), guitar picks and a poster along with a collector's card containing an embossed code to redeem a free download of a special European show happening in September.

The statement giving the details of the coffin box on the Metallica website also said the band were in the process of finalising the artwork at the moment.

Have a gander just below for the new Metallica video for 'The Day That Never Comes':


This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

Friday, 18 July 2008

NEWS: Brian Jonestown Massacre Each Other?

Yesterday the NME reported on a somewhat chaotic end to Wednesday’s Brian Jonestown Massacre gig.

The show is said to have come to an abrupt conclusion after an argument broke out between lead singer Anton Newcombe and guitarist Frankie Emerson.

After police were called and rumours of knife injuries sustained by Emerson began to circulate, the label and management of the band today released a statement announcing that no such events occurred.

The statement read as follows:

“There was no knife or knives involved in any shape or form in this incident. The cuts to Frankie Emerson were caused by some glass splinters.

“Emerson’s injuries were superficial to his arm and stomach and he was treated at the Royal Free Hospital in London. These injuries were caused by horseplay by the band in their own changing room after the gig.”

Whether or not the injuries were caused by glass or "horseplay" is still up for debate as the announced remains somewhat shady with these details.

“Anton Newcombe was questioned at Kentish Police Station to help the police with their enquiries and was released with no charge or caution. Frankie Emerson did not press any charges on Anton Newcombe.

“Any comments by anyone within or outside the media to the contrary are completely false. The band will continue with their successful European tour.”

The London Forum gig on July 16th may have started well but it soon descended into some pretty laughable scenes inner-band dysfunction.

Apparently an inebriated Emerson swung a microphone in a fit of showmanship and damaged it during the evening.

Newcombe reacted by telling him, in front of the crowd, that he would have to pay for the broken equipment to which Emerson responded by sarcastically blasting "testing, one two, one two" into the mic before the band’s encore.

Drummer Joel Gion attempted to settle matters by saying goodnight to the crowd but Emerson trumped up again shouting: “Don't shut front of house man, you fucker.”

After returning to complete the encore the alleged confrontation took place backstage, and police were called to diffuse the situation. No arrests were made and the band is continuing on their UK tour.

A label spokesman played down the incident, declaring: “These things do happen on tour when the band are tired and been away from home too long.”

Brian Jonestown Massacre video to ‘When Jokers Attack’ can be watched below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

NEWS: McCartney Sings ‘Happy Birthday Israel’

Hamster king of the City of Culture Paul McCartney looks set to make history once again by playing a gig in Israel, 43 years after The Beatles were banned from performing in the country.

In 1965 the biggest band in the world was famously turned away by the then education minister of Israel, who believed the band’s music might corrupt the nation’s youth.

Earlier this year McCartney, fellow Beatle Ringo Starr and the relatives of George Harrison and John Lennon each received letters of apology from Israel’s ambassador to Britain, Ron Prosor.

The letter read: “There is no doubt that it was a great missed opportunity to prevent people like you, who shaped the minds of the generation, to come to Israel and perform.”

This comes five years after McCartney made history by performing in Moscow’s Red Square, the first time any Beatle had been allowed to play in the Russia since the Soviet regime banned the group.

A date for the gig has not been revealed but it is understood that the former Wings frontman will appear in the Middle East before the year is out.

In other McCartney news, Liverpool’s famous son has faced opposition to his appearance in Quebec this weekend. McCartney is to play an event celebrating the city's 400th anniversary, but members of the grumpy French-descended community have got in a huff about the "Canadianisation" of the event. The city was under French rule until it was captured by General Wolfe in 1759, and there has been a strong movement for independence from Canada ever since.

McCartney plays ‘Back in the USSR’ for the people of the former USSR below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus

NEWS: Eno And Byrne Join Forces Once Again

Magic musical partnership Brian Eno and David Byrne have delighted fans by announcing they are once again working together on a new studio album. This will be preceded by three US tour dates.

According to Billboard, the song-writing duo has already started work on the new album, their first since 1981's My Life in the Bush of Ghosts. As yet untitled, the LP will be released later this year.

David Byrne is expected to self-release the project once it is completed.

The tour, billed ever-so-succinctly as 'The Songs of Talking Heads' David Byrne and Roxy Music founder Brian Eno', will feature songs from Eno-era Talking Heads.

The three dates will take in Atlanta on September 20th then the Austin City Limits Festival in Texas on September 26th before finishing up in California on October 4th.

A truly classic performance of Eno-produced ‘Life During Wartime’ from the Talking Heads’ movie Stop Making Sense is waiting just below:

This news story can be found on the Quietus with other pieces by Dean Samways.

Words: Dean Samways

Image: the Quietus