NEWS: Calvin Harris frustrated with Dizzee number one

A rift opened up in the masterly anthem-penning partnership that is Dizzee Rascal and Calvin Harris today.

Harris (pictured above, cunt) has begrudgingly stated that he deserves more credit for the current UK number one ‘Dance Wiv Me’.

Speaking to the Daily Star the singer/producer (pictured) claims that fans do not realise how much of his work was put into the project:

“I'm slightly frustrated with those who just think I sing the hook. I did the beat, of course. But never mind, I'm made up that Dizzee is at number one.”

Seems Dizzee was right to have Harris only 'featuring'. There’s not been a true duet since Aerosmith and Run DMC.

Have a look at the said single below:

This news story can be found on Drowned in Sound with other pieces by Dean Samways.

Words: Dean Samways

Image: Google

LIVE REVIEW: Dizzee Rascal, Southampton University Student's Union (Date: 08.11.07)

In the first year of university there was a big debate, never really settled and costing us a night out: “Is rap music ‘real’ music?” Two friends well versed in the strategies of argument, who, unfortunately for the opposer, were also fans of black music, took the discussion into the early hours. Needless to say my über-indie, whiter-than-white friend was shouted down and mocked until he buckled and compromised, “I only give rap music the time of day if it offers me something more than Fiddy and his gangster musings”.

I’ll hold my hands up: I’m a bigger fan of guitar music than I am UK hip-hop. In fact the last rap album I bought was probably The Sugarhill Gang best of, some five years ago. With Dizzee Rascal though you don’t just get a London MC with a powerful, bass soundtrack; you get a twice-nominated and one-time winner of the Mercury Prize who smashes down genres and musical barriers with a playful grin on his face. Needless to say this is my first gig seeing three guys on a stage with no strings or skins in sight.

Tonight is an assault. The three men on stage, two MCs and one DJ, set the pace for the ecstatic crowd with lightening lyrics splashed on top of tunes that rubbish everything that’s gone before them. The raw, vest-wearing enthusiasm that cannons through the entire set forces Dizzee and friend to take two interludes. The first comes after the Arctic Monkeys collaboration, ‘Temptation’, at which point homage is paid to the Sheffield scenesters with a snip of ‘I Bet You Look Good On The Dancefloor’ played over the PA followed by some Nirvana and Kaiser Chiefs. The second pause has a jungle theme, with classic cuts played from Dizzee’s days as a D’n’B DJ. All this gives the gig a different feel.

The show leaves me dumbfounded.‘Old Skool’, ‘Sirens’ and ‘Flex’ demonstrate amazing enjoyment in what the Londoner does, and the crowd revel in it. ‘Stop Dat’, ‘Fix Up, Look Sharp’ ‘Jus’ A Rascal’ blow everyone away as hands are raised and jumping breaks out. If there was ever a gig that changed a mind about a genre of music, it was this one. and

Words: Dean Samways

Photo: Fabric London Press Website

NEWS: Mercury Music Prize 2007

9 out of this year's 12 nominees are new musical express lovies

2007's Mercury Music Prize shortlist was published this week. In past mercury award ceremonies the selection resembles a puddle of vomit, the result of excessive musical taste mixing, spat from the HMV database. This year, however, the chosen few look like they've been enthusiastically plucked from the pages of the popular music press by a swaggering floppy haired Topman shopper.

This, of course isn't such a bad thing for all those who thought the Mercury Music Prize was nothing more than an excuse for head honchos at sony bmg to lavishly stroke the fat cat's at time warner. an event where praise is thrown hithe and tithe between label bosses before the head back to their offices the next day to plot each others demise. at least this year a large section of the audience will actually know who the acts are. however, this is not so good for smaller acts who, once nominated, received a spike in album sales thanks to massive publicity and those tiny branded stickers splashed all over their album covers.

although smaller acts may have been tossed to the wayside this year, a quarter of the nominations remain harvested from some of the most flamboyently off-kilter musical landscapes, stretching for acres and acres across every genre. according to the bbc these are;

fionn regan, the token irishman who writes, sings and plays folk akin to bob dylan;

maps, or james chapman. probably the most impressive undiscovered artist working off a 16-track recorder in his northampton home before having his ambient and euphoric ode to spiritualized polished by bjork's producer valgeir sigurdsson and arranged by sigur ros mixer ken yhomas in iceland, and;

basquiat strings, a collection of classically trained, jazz mmersed musicians who play as session instrumentalists on top of recording their own material.

excluding arctic monkeys, basquiat strings are the only group to receive a second nomination in the mercury music prize's history, but unlike the snowy apes they didn't actually win it last time around.

and so it seems that as long as the majority of genres are catered for and some of the little people are getting a piece of the greater-record-sales-pie pie, those clever people at the mercury music prize can throw into the hat any tom dick or alex whom has appeared on a nme awards tour/show. still we might be on for a bit of drama in that if the yorkshire quartet do manage to bag a second consecutive award it will be the first time in the near pointless awards history.

pointless? surely not you say? the people behind the prize state it exists solely to champion UK music by promoting the 12 albums of the year by british and irish artists. this is all very well and good but who decides what are 'the 12 albums of the year' across every musical niche imaginable? a bunch of number crunching accountants at the event's sponsor, nationwide? i doubt it. who are the people behind the prize anyway? how do we know their opinion is valid? after all in 1997 when roni size reprazent won the gong they had also listed the spice girls debut album.

then there's the prize. not a record deal as 99.9% of the artists are already signed. Or anything of any real worth for that matter. the artists recieve a sum of money in the region of 70,000 squid. that's £70,000 that won't even touch the sides of the band's by now vast trouser pockets as they jingle already fat with brass. for this reason it's even more pleasing when a relative unkown wins the accolade.

so here's to hoping that the mercury won't become the music industry's booker prize anytime soon but that it does become a little more transparent in it's workings. let's also hope that the view's happy go lucky underdog anthem, 'a song for the buskers', will motivate the judges to vote away from the nme centrefolds and divert the prize money elsewhere rather than toward the spitting amy winehouse.

A suggestion: Make the mercury music prize an award to champion brand new leftfield acts taking their first baby steps in the lion pit that is the music business.

the 12 acts and albums nominated to recieve the mercury music prize 2007 are:

Arctic Monkeys - Favourite Worst Nightmare
Basquiat Strings with Seb Rochford - Basquiat Strings
Bat For Lashes - Fur and Gold
Dizzee Rascal - Maths and English
Klaxons - Myths Of The Near Future
Maps - We Can Create
New Young Pony Club - Fantastic Playroom
Fionn Regan - The End of History
Jamie T - Panic Prevention
The View - Hats Off to the Buskers
Amy Winehouse - Back To Black
The Young Knives - Voices of Animals and Men

Words: Dean Samways
Images: Google