The trouble leaving something familiar is forming a new cohesion with the unfamiliar. This almost always take time and often compromise and, however rarely, heartbreak.
The One Day As A Lion partnership between Zack De La Rocha and Jon Theodore (former Mars Volta drummer) has produced familiar substance of little groundbreaking worth. Listening to the self-entitled EP it’s difficult to hear anything new beyond the distinctive vocal chord assault.
Like Audioslave, this could be Rage with new faces conforming to what was already a successful but ageing sound.
The biggest flaw in all the tracks is the oppression upon them, not allowing them to become, to drop into a heavier, faster form. Sure ‘Ocean View’ has a breakdown with some hastier drums but no sooner do you want it to liftoff into a thrashing solo to that stirs moshpits, it finishes.
There’s still some powerful stuff though. ‘Last Letter’ is an anti-religious wake-up call, ‘Wild International’ is the customary anti-war war cry and ‘If You Fear Dying’ is a kick up the arse to all the paranoid victims of this quietly hysterical terrorist era.
Watch Rage Against The Machines 'Killing In The Name Of' below:
More interesting than these long-time Rage romanticised themes is De La Rocha’s vocal experimentation. Blurting what are some impressive melodies for the usually shouty MC his efforts unfortunately end up sounding like Ozzy Osbourne, albeit, early Ozzy.
The thing about familiarity is that sometimes you want it back so badly eventually the change heartbreaks your heart. There’s little compromise here. Potential to turn these songs into anthems is squandered, the sound shows little progression but then despite this refusal to move forward it still sounds as angry as ever, which will do us.
This review can be found on Thrash Hits with other pieces by Dean Samways.
Words: Dean Samways
Image: Google
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